[Baren]: The mailing list / discussion forum for woodblock printmaking. Baren Digest Sunday, 26 April 1998 Volume 03 : Number 138 ---------------------------------------------------------------------- From: Blueman Date: Sat, 25 Apr 1998 10:10:23 -0400 Subject: [Baren 679] Re: Baren Digest V3 #137 Hi Baren, The forum sure was interesting today! I'm envious of you people who are going to New York for April's show. That's the day my son, Jeremy, gets home from Marywood U. in Scranton and he's about as burned out as anyone in grad school can be after a year. He wants to garden with his Dad for a few days. And eat homebaked bread. When he gets back to Marywood, he's planning to attend James' CAN's Exhibit in Philly, however. I think that's one I might be able to manage, too....not for the opening, but sometime before the Exhibit is over. I'll have to check back through the archives and see how long April's show will be up. Philly is close to New York. My husband's mother lives in Danbury, Conn. So maybe we could swing around and do it all! ****** Dave, I changed my bookmarks and am happy with the new address. I don't understand address changes, what they mean exactly. Are you with another server? You mentioned it isn't from Tokyo any longer. Where is it? Just curious because like with Hanga, with the Internet, too, I'm still learning. Meanwhile, there's just nothing like the Encyclopedia and Baren. I seem to hang out only there these days with an ocassional visit to the other members' websites. Dave, it seems everyday or so something new pops up and I can't tell you how appreciative I am for what you are doing. When I was giving my little demonstration of woodblock printing on Thurs- day at Kent/Geauga (pronounded Jee-yawga--all run together and more emphasis on the awga), I mentioned hanga and The Baren and my enthusiasm for woodblock printing in general seemed to rub off on the students because I was asked to come back next Tuesday and teach a class of seven how to do basic woodblock printing (not hanga, yet). What I'm trying to say is The Baren and the Ency- clopedia keeps the flame alive and working. That's what I'm thanking you for, Dave. Also the one-point lesson on sumi ink sounds intriguing. Reminds me of cooking. We don't have calligraphy stores anywhere I know of, so I won't have the pleasure of the sumi ink fragrance and the jar of black mud. I wish, though. Maybe I could do a little one with some sumi ink pieces I have in my studio, just for the authenticity of it, I mean. ****** Bill wrote: > Over there, on the shelf behind me, my old baren is just flipping around > >with excitement! Welcome to Baren, Bill. I like your description of your baren's excitement. Let's hear about what you do with that baren. : ) Phil said you have things to share with us. Gayle Wohlken ------------------------------ From: David Bull Date: Sat, 25 Apr 1998 23:43:53 +0900 Subject: [Baren 680] Re: getting sumi Gayle asked: > Are you with another server? You mentioned it isn't > from Tokyo any longer. Where is it? It's in Pittsburgh. At least most of it is. Some of it is still here in Tokyo. And of course, when you access those Encyclopedia pages in the 'Directory of Woodblock Printmakers on the Web', the data comes down to your browser from all over wherever ... > Also the one-point lesson on sumi ink sounds intriguing. Reminds > me of cooking. We don't have calligraphy stores anywhere I know of ... I think you probably do. Surely in a town or city near where you are there must be one of those Chinese shops that has all sorts of imported stuff - food, pictures, furniture, etc. Those kind of places always have sumi sticks, usually 'el cheapo' type - great for making printing sumi. See if they've got some broken stuff lying around ... but if they don't, just get a bunch of whatever they have, haggle them down on the price (it's sure to be inflated in value), and get soaking! Dave ------------------------------ From: jimandkatemundie@juno.com (James G Mundie) Date: Sat, 25 Apr 1998 11:30:36 -0400 Subject: [Baren 681] another reason to be in Philadelphia this month Hey folks, I know you are all just _dying_ to come to Philadelphia to see the Creative Artists Network show. Here is yet another reason to be in Philadelphia-- today an exhibition of one hundred and twenty-five of Utagawa Kuniyoshi's prints opened at the Philadelphia Museum of Art: "Heroes and Ghosts: Japanese Prints by Kuniyoshi" 25 April to 28 June 1998 The exhibition was organized by Amsterdam's Van Gogh Museum in conjunction with the Philadelphia Museum of Art and the Society for Japanese Arts. Philadelphia will be the only United States venue for this exhibition. *** Several weeks ago I had ordered frames for the C.A.N. show, and I was supposed to pick them up today. I called ahead to make sure they were ready... my framer had lost my invoice and hadn't made the frames yet! As I need to deliver the work ready for hanging on Monday, I'm a bit miffed. The framer swears up and down, though, that he will have them for me tomorrow. Dave is probably chuckling to himself now... Sla/n go foill, James Mundie ------------------------------ End of Baren Digest V3 #138 ***************************