[Baren]: The mailing list / discussion forum for woodblock printmaking. Baren Digest Thursday, 18 March 1999 Volume 06 : Number 492 ---------------------------------------------------------------------- From: Gayle Wohlken Date: Thu, 18 Mar 1999 09:17:38 -0500 Subject: [Baren 3601] Re: Baren Digest V6 #490 Rhonda said: > Gary- I don't use a baren-I use a plain ole 25 cent wooden spoon. There are > some of us here who are still using primitive methods...... :-). Gary and Rhonda, the same applies for me--wooden spoon and a lot of burnishing. It's funny that Gary brought it up. Just yesterday was art day here and I was working with my friend Beth at the art tables and we were listening to some Jeanne Newhall music, and I got to musing about the Baren and wondered how long it would be before we heard a little protest about all the press and etching talk since Dave started this as a woodblock site. So here it is! All of it is interesting to me, but way over my head since I'm not doing that sort of thing myself. You have to be doing it to appreciate it, at least it's that way for me. Take Dave's lessons on knife sharpening. Yesterday I finally printed it out and took it downstairs and studied it and started working with my cutting tools and sharpening. For the first time since I got those tools, I was able to sharpen them to where they actually cut better into the wood and not worse. So what I'm trying to say is that some people will feel sort of bored by the etching talk because that's not what's going on with their work, but some will be energized by it. A balance seems good. A little of each maybe? Gayle ------------------------------ From: "Ray Esposito" Date: Thu, 18 Mar 1999 09:19:07 -0500 Subject: [Baren 3602] Re: Viscosity printing Gary You bring up some excellent points. One of the reasons for BA5 was to move many such discussions that did not involve woodblock away from Baren. But I disagree with most of your observations. I disagree that the discussions concerning presses is out of bounds. I am a woodblock artist. The fact that I prefer etching inks and a press should not disqualify me from the forum. Although little of the discussion has been about a "baren" they have still been mostly about woodblock and how to produce the best art we can. I do not see that anyone should leave Baren because they use a press. The recent discussion concerning viscosity printing is germaine because I use viscosity to ink my plates, INCLUDING woodblock. If Baren is for woodblock artists then why is this not a legitimate subject? One way around this is to join the discussions. I might point out that you have not been a participant. Join in. Come up with a subject that is near and dear to your heart and we will all join in. But please do not look down on me because I use a press and not a baren. One problem I see is that only half of Baren members are on BF5. Some discussions begin on Baren and it is impossible to get anyone to move over. If you, Dave, or anyone else has a suggestion, I would certianly love it. And finally, it is not up to me to toss anyone out on their ear in Baren. Be this feisty on BA5 and we will see. :-)) And as for your Pepsi, you need to come over to BA5. It is NOT a fit subject for Baren!!! :-O Cheers Ray ------------------------------ From: "Ray Esposito" Date: Thu, 18 Mar 1999 09:29:37 -0500 Subject: [Baren 3603] Re: Vox Populi ... and Vox Dei ... Dave I won't comment on the press gang subject as I covered that in my response to Gary. I might only add that we need some way to get more conversatiuons over to BA5. As to: >Thing #2) The exchange - and the 'Print Folio Refusee Show' comments I think one of us has misread this. I took this as a tongue in cheek comment from Agatha and Wanda jumped in saying she would join in a two-person exchange. I then told Wanda I wanted to make it a three-way exchange. As I read the posts, this was never serious, at least on my part and we were just having a little fun. I think we all know that the new print exchange you designed solved any problems. Cheers Ray ------------------------------ From: "Jeanne N. Chase" Date: Thu, 18 Mar 1999 11:08:20 -0500 Subject: [Baren 3604] Re: Viscosity printing Dear Gary I do not think you have to worry about the Baren doing an endangered species act. I have a wonderful Etan Press. I use it for collagraphs and etchings, but when it comes to my wooblock printing, there is something very satisfying and even sensual about using the Baren as I do my prints. Yesterday I did 50 prints by hand with the help of Mozart on my stereo. It was a great day. I do not think that I could have had that much pleasure using my press. I also have a tender wrist to prove it, but worth every sore muscle. Jeanne, the Baroness ------------------------------ From: dean brink Date: Thu, 18 Mar 1999 08:27:29 -0800 Subject: [Baren 3605] Re: Vox Populi ... and Vox Dei ... I really like your thoughtful formula for keeping the exchanges small and so that all can participate, David. About splintering the printing forum into press/baren discussions...it is unnecessary I think. Threads will naturally develop and fade into the archives, following the whim and whatever topics individual participants are obsessed with at a given time. It might be counterproductive (especially if you are interested in cultivated a technically/culturaly explorative forum on "woodblock printing" (which is what I am interested in in all its traditional and experimental forms)). Just think of Baren discussion as your community service or cultural contribution that has taken on a life of its own? I like your solution of keping the social niceties to "After 7." But "After Baren," if it would be just for traditional Japanese water-based printing, would exclude a lot of folk, and without the differences there will be no dialogue and learning (except in the old style of learning where master towers and the silent disciples - which wouldn't be a discussion forum (only social nosing(after#s))). Looking forward to the reflexive debates on the meta-Baren, dean ------------------------------ From: amoss@mindspring.com (John Amoss) Date: Thu, 18 Mar 1999 11:32:54 -0500 (EST) Subject: [Baren 3606] oil and water I admit that I only scan the oil/press postings. This is only becasue I have as much as I can handle with the water technique, it's certianly not a validity thing. However, I am interested in the fringes of my focus and probably would have never known that "viscosity printing" or many more things existed if it weren't for the oil group. I think it would be a mistake for me not to pay attention to these oil postings because somewhere, new techniques can be synthesized from the two camps leading to possible breakthroughs. The oil group is on a roll now, but I have confidence that the pendulum will swing back amidships again. Why isn't there more water-based entries? I admit that most of my questions are answered by the Encyclopedia if I dig hard enough. Along with the knowledge that experience is the best teacher, my questions have slowed to a trickle. I consider this a compliment to Dave and everyone else that has contributed. Therefore, I think the amount of [Baren] entries on the subject is little evidence of the information actually being gained. If there is another site with more oil information to guide folks, perhaps the on-list communication wouldn't be as previlent. I am scared to suggest this, but maybe the forums should be split into 4 groups: The first, an overview: (1) Baren (general woodblock) with two concentrations: (2) Oil and press woodblock (3) Hanga woodblock And the famous: (4) Baren after five It would be wierd that the oil/press group is under the heading of "Baren", but Dave's site is named "woodblock.com". What would the set-up labor entail? If Dave wants to outsource resposibilities, Ray has proven that volunteers can make great hosts. Dave may not want to extend the site further. Maybe a sister-site for the woodblock pressers? I think that this is a more serious question than the one that led to making "Baren After Five". I would just hate to lose touch with our oil bretheren, both in information, exchanges and comraderie. - -John ------------------------------ From: "Jeanne N. Chase" Date: Thu, 18 Mar 1999 12:06:03 -0500 Subject: [Baren 3607] Re: Vox Populi ... and Vox Dei ... Dear Dave You know that the Salon de Refusee was a joke on the After 5. I am sure that we all realize that with 80 people represented it would be impossible to include them all in one Exchange. I am sure that we all understand the significance of Exchange 2, 3 and 4 and will cheerfully abide by the rules without any complaining. It is just logical that we will wait our turn. Perhaps the rule of thumb is; If any chit chat or jokes or subjects other than serious questions, answers, information etc; should be absolutely be a part of After 5. Since at last count there were 30 on After 5, that means that 50 would rather not . At least it gives us a fellowship that some appreciate. We owe so much to you and respect what you are doing , I am sure noone wants to make you wish that you had never started The Baren! Myself and many others would be unhappy if you felt otherwise. Put on your happy face and let us all print away! Jeanne ------------------------------ From: agatha Date: Thu, 18 Mar 1999 10:05:14 -0800 Subject: [Baren 3608] Re: The Next Exchange ... david, i think your system for the print exchange is wonderful. i hope we didn't offend you with our jokes about the salon. i just thought it was a funny image, no slam was intended in your direction. i appreciate all of the work you have put into [baren], i consider it the most valuable printmaking resource on the net. i only hope that i will someday have the experience i need to be able to talk about the techniques you all use with as much knowledge as the rest of the group. the discussion about press vs. baren has left me feeling somewhat alienated, although i am sure that was not the intent. at any rate, i felt i should explain my somewhat snappy comments that i posted hastily, and regretted almost instantly. David Bull wrote: ------------------------------ From: Jack Reisland Date: Thu, 18 Mar 1999 08:11:34 +0000 Subject: [Baren 3609] Re: oil and water John Amoss wrote: > I am scared to suggest this, but maybe the forums should be split into 4 groups: Yikes! As I suggested already, purhaps we should just wait a bit to see which way the subject matter winds before we get out our chisels and start carving up Baren. Jack Reisland ------------------------------ From: "Ramsey Household" Date: Thu, 18 Mar 1999 10:25:52 -0800 Subject: [Baren 3610] Re: Viscosity printing Woodblock prints are not just done with a baren. They are also done on presses with blankets, etc. I, for one, have been very interested in the discussions that have been going on. I think it is better to be inclusive, rather than exclusive. There are many areas that overlap. But this is my personal opinion and it is not my list. However, since there have been many postings, it must be others opinions also. Relief printing takes many forms. Carolyn ------------------------------ From: "Ray Esposito" Date: Thu, 18 Mar 1999 13:38:14 -0500 Subject: [Baren 3611] Re: oil and water John As always, a thoughtful post. But I must disagree with you. My disagreement is that when you are discussing woodblock it is almost impossible in many cases to separate subjects so cleanly. What if I asked the question: Because of my arthritis in my hands I have problems using a baren. Can anyone suggest how I can learn to do so or should I use a press? ANd while on the subject, can you suggest how I might incorporate my etching inks and water colors? Obviously this is a loaded questions but I just want to make a point. I think it is best to keep just two lists and when Dave thinks things are getting a little out of hand, he will gently nug us back. I do agree with you on one point. (Besides the obvious one of my being a great host. :-)) This is woodblock.com and all aspects of woodcut, Japanese vs European, oil vs watercolor, press vs baren, should be open for discussion. From a personal standpoint, I have learned from both camps and want to continue to learn. There are many forms of woodblock and we must respect and hear from them all. That's my opinion. John, thanks for sharing your thoughts with us. Cheers Ray ------------------------------ From: James G Mundie Date: Thu, 18 Mar 1999 11:53:03 -0500 Subject: [Baren 3612] attempt #2 to change the subject I believe it was Jeanne that mentioned she would welcome the posting of the exchange prints as a way to receive helpful critique(s). What say we leave this viscosity printing versus temporally displaced Edo craftsmen debate aside for a time and get into some meaty discussion? Okay, I'll get it going and maybe someone else will join in: Jeanne, I found the way in which you handled the right hand on your figure interesting, but perhaps a little confusing. Leaving that heavy line to indicate the change of plane from knuckles to finger in ingenious; but combined with that line across the wrist it looks like she is wearing a fingerless glove. Was that your intention? My eye keeps going to it and I wonder, "Why is she wearing that glove?!" Dean, you mentioned in your process description that you were interested in achieving a more transparent red. I think that would greatly help your print to "read" more easily. If the red were more transparent, there would be a nice visceral purple where the colors intersect that would probably help reinforce your directional lines. There are a number of transparent bases and extenders on the market you might try. The secret is to add tiny bits of color to a larger amount of transparent base to achieve the desired effect. James Mundie, Philadelphia USA ------------------------------ End of Baren Digest V6 #492 ***************************