Baren Digest Friday, 10 August 2001 Volume 16 : Number 1516 ---------------------------------------------------------------------- From: "bemason" Date: Thu, 9 Aug 2001 07:50:27 -0700 Subject: [Baren 15342] Re: Munakata-Japanese Picasso? Kwee, Was Munakata a contemporary of Picasso? I am not too familiar with his work. This sounds like a very interesting proposal, I know all European artists were very influenced by Oriental as well as African art. And the Japanese must have been influenced by the west a great deal. Coming to grips with that and wanting to be contemporary, having control of the whole process, would be interesting in itself. I know all the craftsmen in Japan are becoming a rarity in the field of woodblock and the expense must be gigantic for an artist without partonage to find a carver and a printer. It is no wonder the artists there decided to do it themselves. Keep us posted on your thoughts on this. Barbara > > Hi there. This is Kwee Horng from Singapore. I've not been very > active in contributing to discussions in the forum due to work. > But I am on leave now for a whole year! I am currently pursuing a > MA in visual arts by research full-time. I am seriously thinking > of researching on Munakata and I came across the term 'Japanese > Picasso' by Sori Yanagi. Maybe a comparative approach to the > woodblock prints of Munakata and the lino-prints of Picasso might > be a possible topic. Any comments from anyone is greatly > appreciated. Eagerly waiting for feedback. > Thanks. > ------------------------------ From: Cucamongie@aol.com Date: Thu, 9 Aug 2001 11:25:30 EDT Subject: [Baren 15343] Bridget's website Bridget, thanks for sharing your website with us, and again, congratulations on your success- best wishes Sarah ------------------------------ From: ArtfulCarol@aol.com Date: Thu, 9 Aug 2001 11:56:43 EDT Subject: [Baren 15344] Re: Munakata-Japanese Picasso? Barbara, Munakata died several years ago. There was a Munakata woodblock exhibit and video of him working at the Japan Society, NY. I dont think it would be an exageration to say he hacked away at the wood, but oh! the results... Carol Irvington, NY ------------------------------ From: "Jean Eger" Date: Thu, 9 Aug 2001 10:04:43 -0700 Subject: [Baren 15345] goma-zuri Hi all, Jan and I have been having a discussion about goma-zuri, the sesame effect. Does anyone have a picture of it on their web site? I went looking for the bee-and-henbane print, I think Julio did it when he was starting out. It showed the speckled effect pretty well. Jean ------------------------------ From: Princess Rashid Date: Thu, 09 Aug 2001 14:37:47 -0400 Subject: [Baren 15346] Re: Baren Digest V16 #1509 Congratulations Jean and Brigette!!!! Also Maria....!!! I am so proud to be a part of such a talented group. Your successes inspire me!! Princess ------------------------------ From: richard stockham Date: Thu, 9 Aug 2001 11:48:07 -0700 (PDT) Subject: [Baren 15347] Re: goma-zuri Hiroshi Yoshida talks about goma-zuri in his book. His print 'portrait of a boy' shows an example of this effect. You can find this at: http://www.hanga.com/landscape/yoshida/images/boy.jpg Richard Stockham Birmingham, Alabama - --- Jean Eger wrote: > Hi all, > Jan and I have been having a discussion about > goma-zuri, the sesame effect. > Does anyone have a picture of it on their web site? > I went looking for the > bee-and-henbane print, I think Julio did it when he > was starting out. It > showed the speckled effect pretty well. > Jean > ------------------------------ From: "bemason" Date: Thu, 9 Aug 2001 12:17:41 -0700 Subject: [Baren 15348] Re: Munakata-Japanese Picasso? Carol, Could you find the name of the video? I would like to look for it so I can see it, maybe the library has it somewhere of I can buy a copy if it is still available. Maybe the people who made it still have a few. Barbara > Barbara, > Munakata died several years ago. There was a Munakata woodblock exhibit > and video of him working at the Japan Society, NY. I dont think it would > be an exageration to say he hacked away at the wood, but oh! the results... > Carol > Irvington, NY > ------------------------------ From: "Charles and Gail Sheffield" Date: Thu, 9 Aug 2001 14:50:27 -0500 Subject: [none] It wasn't a website, it was a program called 3-D ARCHITECT by Broderbund. I gave it to somebody, but don't remember who. However, it was several years old and obsolete--probably wouldn't even run on Windows 98. It wasn't real expensive, so I suggest Zac get the most recent one--as I recall, I bought mine at Office Depot. Well, the Sheffields did a really foolish thing in MT--bought a house. A little house in a not-so-upscale subdivision, not exactly on the Sims' level, but hey, it's got a pretty good view. The sale will probably close at the end of this month, then we've got to figure out how to get rid of the REALLY heavy tobacco smoke smell. I think we will have to rip out the carpet and repaint all the walls. Now that we can't afford furniture, we will move in with a mattress, a coffee pot and a roll of toilet paper. ------------------------------ From: "Daniel L. Dew" Date: Thu, 09 Aug 2001 18:52:30 -0400 Subject: [Baren 15350] Editions Is there a standard number of prints in an edition? I was told by a collector that 50 was the magic number. 50? Seems like a lot and an antique method of determining value. Unless you count them all, who knows if it was less than or more than? dan dew ------------------------------ From: michael schneider Date: Fri, 10 Aug 2001 01:19:47 +0200 Subject: [Baren 15351] Re: Editions There is no "standard" number. But 50 is something that seems to be accepted by dealers, collectors and artists as something of a upper limit. Everything above looks a bit inflationary. I usually do 3, sometimes 10, when I got a order of a gallery 50 and when a company ordered an edition to serve as a present for good customers I did 100. Your work and your eye to see when the quality of the print deteriorates should determine the number of the edition. michael "Daniel L. Dew" wrote: > > Is there a standard number of prints in an edition? > I was told by a collector that 50 was the magic number. > 50? > Seems like a lot and an antique method of determining value. Unless you > count them all, who knows if it was less than or more than? > > dan dew ------------------------------ From: "bemason" Date: Thu, 9 Aug 2001 16:40:29 -0700 Subject: [Baren 15352] Re: Editions Dan, There is no magic number. I have friends who think 10 is max and others who do 200. So it is up to the artist to limit the edition if they so choose and number them accordingly or to leave the edition open and print them as they need prints. Most artists increase the size of their editions as they are able to sell work, but cut it off at the amount they get tired of printing. So there you go. Barbara > Is there a standard number of prints in an edition? > I was told by a collector that 50 was the magic number. > 50? > Seems like a lot and an antique method of determining value. Unless you > count them all, who knows if it was less than or more than? > > dan dew > > ------------------------------ From: "bemason" Date: Thu, 9 Aug 2001 19:14:38 -0700 Subject: [Baren 15353] Re: Baren Digest V16 #1509 Bridget, Congratulations! Wish I was close enough to come to the opening, but I will be there in spirit! Barbara - ----- > I have been awarded > the James D. Phelan award in printmaking. I will be in a show with the > other two winners in Sept. and Oct. at the Kala Institute in Berkeley, I > will let you know the exact dates when I find them out and maybe I will meet > some of you at the opening. > sincerely, > Bridget Henry > bridgetmaryh@hotmail.com > ------------------------------ End of Baren Digest V16 #1516 *****************************