Baren Digest Thursday, 5 September 2002 Volume 20 : Number 1948 ---------------------------------------------------------------------- From: G Wohlken Date: Wed, 04 Sep 2002 09:43:23 +0000 Subject: [Baren 19055] Re: Baren Digest V20 #1947 Dan and John, please explain these in more detail as to what effects you get, especially if you are using transparent base without ink? What is overprint varnish and what exactly does it do? Gayle Ohio >I have printed intaglio, woodblock and litho with clear (gloss or matte) >overprint varnish. I had some problems when toooo much varnish printed and >it would dry funny. Overall it prints some interesting textural effects. >Also have used it for flocking a print. > >i have printed with trans-parent base with or without ink > ------------------------------ From: Jim Bryant Date: Wed, 04 Sep 2002 09:26:24 -0500 Subject: [Baren 19056] Re: Baren Digest V20 #1947 I've printed varnish woodblock before. made for great subtlety--I love the effect. I ended up mixing a litho varnish with relief tint base and some cobalt drier, printed on kitakata. straight varnish did strange things. jim- > ------------------------------ > > From: Dan Dew > Date: Tue, 03 Sep 2002 17:36:10 -0400 > Subject: [Baren 19051] Couple things > > I have been selling a lot of prints lately! Apparently, my animal prints > are hot. Which is cool, because my love of printmaking is finally paying > for itself. I'm not getting rich, but at least and for once I'm covering my > costs. > > Has anyone ever printed varnish? I've been looking at room painting and > noticed a neat technique involving painting areas with and without a varnish > coat and thought of prints. > > Anyone? > > d. dew ------------------------------ From: Daniel Dew Date: Wed, 04 Sep 2002 10:50:03 -0400 Subject: [Baren 19057] Re: printing varnish > From: "pwalls1234" > Subject: [Baren 19054] printing varnish > > Also have used it for flocking a print. > > pete w. > Where is Graham when you need him! I can't stop laughing, what is "flocking" a print? P.S. I'm printing a rather large area of blue and aquamarine for water, wondered if printing over the ink with varnish would create a neat efect. Guess I'll just have to sacrifice a print for an experiment. d. dew > ------------------------------ From: Sharri LaPierre Date: Wed, 4 Sep 2002 10:54:39 -0700 Subject: [Baren 19058] Re: Baren Digest V20 #1947 Dan, I've used varnish to condition mulberry paper after printing a drypoint. It makes the paper remain transparent, as if it were wet. Neat effect. In this particular work the varnished paper was then collaged to a woodblock and silkscreen image. The edition sold out. :-) Sharri LaPierre ------------------------------ From: Mike Lyon Date: Wed, 04 Sep 2002 13:51:01 -0500 Subject: [Baren 19059] Re: printing varnish Dear Dan, I don't see what's so flocking funny! :-) I imagine that pete w. was refering to the process of adhering short fibers (flock) to areas of his print... You've seen flock before, Dan... It's on those kitsch birthday cards with the short, fuzzy velvet-like "hair" covering a cutsey bear or rabbit. And you find flocking on those little plaster animals, etc. which are covered with a nap of 'real' short hairs... They also sell flock and an adhesive for lining jewelry boxes and other crafts with "felt" -- faster and neater than cutting and adhering fabric. I'd be interested to hear from pete w. what he actually was doing when flocking his print. - -- Mike Lyon At 10:50 AM 9/4/2002 -0400, Dan Dew wrote: > > From: "pwalls1234" > > Subject: [Baren 19054] printing varnish > > > > Also have used it for flocking a print. > > > > pete w. > > > >I can't stop laughing, what is "flocking" a print? > Mike Lyon mailto:mikelyon#mlyon.com http://www.mlyon.com ------------------------------ From: Julio.Rodriguez#walgreens.com Date: Wed, 4 Sep 2002 15:20:26 -0500 Subject: [Baren 19060] Re: Warning - serious flock content.. only for experienced flockers ! 09/04/2002 03:23:51 PM Hey guys, not quite sure what all this talk about "flock" has to do with woodblock printmaking ??? Does it really belong here ? Sure...why not ! We can all learn about flocking together ! I guess you can spice up your printmaking by adding a little flock here and there...whatever it takes! Try to keep your flocking consistent and usually don't bother numbering them....but some printmakers do {;-). Sometimes I flock right on top of my press and sometimes I prefer to do it on the floor. Flocking outside is always an option if it is not too windy or cold. Group flocking is condomed by certain printmaking societies. For those that may be interested in some serious flocking (make sure you have the right tool in hand !!!) ...there are two types of flock, a hard and a soft flock. Printmakers usually prefer the hard flock because it stays up longer ( I mean the fibers on the paper). A good place to find "hard flock" is right on your television set.... http://www.eci.ox.ac.uk/staff/Terry/ally.jpg For those members outside the USA., good "hard flock" is available all over the world as these two sites indicate: http://www.tele.ch/archiv/9814/006.htm http://www.el-mundo.es/cultura/globosdeoro/flockhart.html thanks...unanimous.... ps.. I am so ashamed! {;-) ------------------------------ From: "pwalls1234" Date: Wed, 4 Sep 2002 17:30:00 -0500 Subject: [Baren 19061] Re: printing varnish Thanks Mike , My mentor, years ago, taught this technique to his print classes at Alfred University. Never found any uses for it until I was incorporating a line/design element into a print in graduate school. I had used varnishes before for surface effect alone, but decided to "flock" with different carbarundum (sp?) grits (from the litho side of the studio) Ended up with some beautiful subtle texture! (Also used rotten stone once) You can also print these varnishes and then gild them using leaf while still wet to add metalic elements if you are careful. What the Flock Dan! ;-) pete w. >Dear Dan, > >I don't see what's so flocking funny! :-) I imagine that pete w. was >refering to the process of adhering short fibers (flock) to areas of his >print... You've seen flock before, Dan... It's on those kitsch birthday >cards with the short, fuzzy velvet-like "hair" covering a cutsey bear or >rabbit. And you find flocking on those little plaster animals, etc. which >are covered with a nap of 'real' short hairs... They also sell flock and >an adhesive for lining jewelry boxes and other crafts with "felt" -- faster >and neater than cutting and adhering fabric. > >I'd be interested to hear from pete w. what he actually was doing when >flocking his print. > >-- Mike Lyon > >At 10:50 AM 9/4/2002 -0400, Dan Dew wrote: >> > From: "pwalls1234" >> > Subject: [Baren 19054] printing varnish >> > >> > Also have used it for flocking a print. >> > >> > pete w. >> > >> >>I can't stop laughing, what is "flocking" a print? >> > >Mike Lyon >mailto:mikelyon#mlyon.com >http://www.mlyon.com > ------------------------------ From: FurryPressII#aol.com Date: Wed, 4 Sep 2002 21:29:05 EDT Subject: [Baren 19062] Re: printing varnish print the tint base with a wood block image with out ink. When it dries print over it the paper absorbs the ink diferntly in tint base printed areas and thus give you two differnt colors. john ------------------------------ From: GraphChem#aol.com Date: Thu, 5 Sep 2002 08:59:39 EDT Subject: [Baren 19063] Re: Warning - serious flock content..only for experienced f... Julio - that was sooo bad! But I'm impressed. BTW, John Center, how would you feel if we used your Fireman print in the catalog? We're contemplating adding customer art to the catalog with the next edition, and the 911 prints would be a great starting point. Yours is one of only two Fireman prints that I have. At this moment, I'm blanked on who did the other one - another senior moment for Dean. Let me know if that is possible. Dean ------------------------------ End of Baren Digest V20 #1948 *****************************