Baren Digest Monday, 23 December 2002 Volume 21 : Number 2070 ---------------------------------------------------------------------- From: slinders#attbi.com Date: Sun, 22 Dec 2002 12:25:17 -0600 Subject: [Baren 20206] Re: transfer of originals Hi, Furry, Your method is the method we use for Xerox transfer at Harper. In our studio we add setswell to the ink. We use a sponge that is fairly saturated with water to wipe the Xerox. Furry's right! It feels just like wiping a litho stone! It takes a bit of tender inking, and gentle wiping. It may take a few repetitions, and using a soft brayer helps. This year we have also been doing this entire process using a piece of plexi-glass as the base/tabletop. Then you can lift the plexi and your now-sloppy-wet xerox at one time, and you can align it more carefully. It's a great way to transfer an image to a block or plate, and you can use this method to transfer an image directly onto a printing paper. (You can sprinkle rosin ground liberally over the wet ink if you've transferred to a copper or zinc plate, leave it for 20 minutes, and then dump/brush off the excess (gently) with a sable brush, torch the plate, and put the plate in the acid.) It's a terrific process! (It's also wonderful for 'saving' that great life drawing that you did on really crummy paper!) Merry Christmas, everyone! Sharen ------------------------------ From: "April Vollmer" Date: Sun, 22 Dec 2002 13:31:29 -0500 Subject: [Baren 20207] lesser of evils Jack, I have used the iron-on transfers. It leaves a plastic film that might interfere with cutting the block. They also vary quite a bit from one manufacturer to another. Some take more heat to transfer, etc. They are designed for fabric transfer, and are gluey and thicker than you need for wood. My favorite transfer method is Citra-solv, a cleaning solvent you can find at health food stores. It is a little thicker (and considerably cheaper) than oil of wintergreen, with a smell of oranges. Still not healthy to breathe, it is not nearly as bad as lacquer thinner! best, April www.aprilvollmer.com ------------------------------ From: Aqua4tis#aol.com Date: Sun, 22 Dec 2002 14:28:52 EST Subject: [Baren 20208] happy holidays I wanted to wish all my good friends here a healthy, warm, and joyous Christmas and New Year. Now a poem from Judith A. Lindberg. "Someday, Perhaps" It begins long before the first frost - Somewhere between memory and reality. It touches us with compassion and whispers to us of hope. It tiptoes into our hearts with elation and opens our souls to faith. Its name is Christmas and we have yet to learn How to keep it close for more than this one brief, shining moment. Someday, perhaps...with love. Love, georga ------------------------------ From: "Carole Baker" Date: Sun, 22 Dec 2002 12:38:56 -0900 Subject: [Baren 20209] Re: kento transfer One more thing on the kento registration discussion. I was reading in the John Platt book (which I downloaded from the Baren site) that he did a similar thing as I do.....prints and transfers from that print to the new blocks. But instead of transferring the kento marks, he first cut the kentos on the color blocks and when he printed from the key block onto his transfer paper, he set the paper into the kento marks of the key block and into the kento marks on the color blocks before printing on to those blocks. He explains it better than I am doing. It seems this would get rid of another variable---the improper cutting of the kentos as marked on the color blocks. Peace on Earth, good will to all, Carole Baker Gustavus, Alaska ------------------------------ From: "Jean Eger Womack" Date: Sun, 22 Dec 2002 14:03:59 -0800 Subject: [Baren 20210] Re: Baren Digest V21 #2069 Re: transfer: I think one could paint the woodblock with gum arabic, let it dry, and then transfer the inkjet to the block using Mike's evenly dampened blotter method. The gum arabic might facilitate the transfer. I haven't tried it yet, though. I have noticed that when I rice-paste-glue the ink-jet printed Hanshita to the block, it transfers the image to the block after I have removed the paper from the block. It works, but not quickly. All suggestions have been very helpful. Jean Womack ------------------------------ From: "Lee and Barbara Mason" Date: Sun, 22 Dec 2002 14:11:41 -0800 Subject: [Baren 20211] : kento transfer Carol, This does indeed seem like it would work well, the only problem I see is that the paper used for the transfer is very thin and having a second carry sheet would be one more thing to go wrong...however, I can see that with a bit of practice, this would solve those kento cutting problems. Especially if you used oil based ink and only transferred the ink and not the paper. This is a lot like using the registration board that Maria uses. Happy christmas to everyone....We have a pretty sparse one here as we no longer do gifts...I almost feel bad, not doing my duty to the economy! We trade cookies. No shopping envolved! I really like it, we go look at all the decorations and then go home and relax....almost unAmerican. Best to all, Barbara > One more thing on the kento registration discussion. I was reading in the > John Platt book (which I downloaded from the Baren site) that he did a > similar thing as I do.....prints and transfers from that print to the new > blocks. But instead of transferring the kento marks, he first cut the > kentos on the color blocks and when he printed from the key block onto his > transfer paper, he set the paper into the kento marks of the key block and > into the kento marks on the color blocks before printing on to those blocks. > He explains it better than I am doing. > > It seems this would get rid of another variable---the improper cutting of > the kentos as marked on the color blocks. > > Peace on Earth, good will to all, > Carole Baker > Gustavus, Alaska > ------------------------------ From: "Maria Diener (aka Arango)" Date: Sun, 22 Dec 2002 15:10:35 -0800 Subject: [Baren 20212] Happy Puzzling Holidays Thanks to the generosity of the Post Office staying open on this Sunday, the last of the puzzle blocks went out today. All U.S. by First Class mail, a couple of the larger pieces by Parcel Post (only relevant because they might take a wee bit longer to get there). All world pieces (8) went Par Avion marked: "1 wood block for crafts" (that'll baffle 'em). I really felt like I'm sending you all a little present. Let me know when they get there. I'm with Barbara in the simplicity of this particular vacation, with the new rescued kitties so young (and mommy-dependent) this year, I had to stay home and let my hubby go to Kansas by himself. I'm already relaxing, catching up on my reading, learning Dreamweaver and Windows XP, taking the dogs for lots of walks...really enjoying the peace of the season. Health and Peace to all these holidays and ever, Maria <||><||><||><||><||><||> HAPPY HOLIDAYS! Maria Arango Las Vegas Nevada USA www.1000woodcuts.com <||><||><||><||><||><||> ------------------------------ End of Baren Digest V21 #2070 *****************************