Today's postings

  1. [Baren 44160] Re: "Cool Never Fades" - Hamilton Wood Type Museum & Target collaboration (Gretchen Greene)
  2. [Baren 44161] Touch Ups (Carole Dwinell)
  3. [Baren 44162] Re: Baren Member blogs: Update Notification (Oldfield Press)
  4. [Baren 44163] Target and printing t-shirts (Guadalupe Victorica)
  5. [Baren 44164] Re: Touch Ups (Viza Arlington)
  6. [Baren 44165] Exchange #50 (Gayle Wohlken)
  7. [Baren 44166] Re: Touch Ups (Diane Cutter)
  8. [Baren 44167] Re: Target and printing t-shirts ("Ellen Shipley")
  9. [Baren 44168] Re: Touch Ups (Georgina Leahy)
  10. [Baren 44169] Lithographie maison - Kitchen Lithographie ("Ellen Shipley")
  11. [Baren 44170] Re: Touch Ups (Barbara Mason)
  12. [Baren 44171] Re: Lithographie maison - Kitchen Lithographie (Darrell Madis)
  13. [Baren 44172] Re: Lithographie maison - Kitchen Lithographie (ruthleaf)
  14. [Baren 44173] Re: Lithographie maison - Kitchen Lithographie (David Bull)
  15. [Baren 44174] Re: Lithographie maison - Kitchen Lithographie (key sevn)
  16. [Baren 44175] Baren Member blogs: Update Notification (Blog Manager)
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Message 1
From: Gretchen Greene
Date: Thu, 15 Sep 2011 13:47:15 GMT
Subject: [Baren 44160] Re: "Cool Never Fades" - Hamilton Wood Type Museum & Target collaboration
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I forwarded it to my sister, a letterpress artist.


Sent from Yahoo! Mail on Android
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Message 2
From: Carole Dwinell
Date: Thu, 15 Sep 2011 15:39:15 GMT
Subject: [Baren 44161] Touch Ups
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Over the last few months that I've belonged to this list, I've
wondered about 'touching up.' There was a couple of references to the
practice and I wondered about the practice. Is it common to 'touch up'
a print? To what extent is it considered okay if ever or is it
considered a not so good thing. When I say touch up I mean filling in
a missed spot or something little, not a major overhaul. I've noticed
also that there's artists who add the color via a brush (as in
watercolor or guache) after the print is pulled. Would like to know
more about how that effects the nomenclature of the work. Does it then
become a monoprint or some kind of one-off?

Thank you.
Carole
dwinell.carole@gmail.com
http://caroledwinell.blogspot.com
www.caroledwinell.com
"Today is the day to DO it!"
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Message 3
From: Oldfield Press
Date: Thu, 15 Sep 2011 16:04:26 GMT
Subject: [Baren 44162] Re: Baren Member blogs: Update Notification
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Oldfield press have updated our blog with our tale of a trip to the arts fair.
www.oldfield-press.blogspot.com
If this is not the correct way to submit please let us know otherwise,

Ta,

Tone
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Message 4
From: Guadalupe Victorica
Date: Thu, 15 Sep 2011 16:16:10 GMT
Subject: [Baren 44163] Target and printing t-shirts
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Thank you Julio, I will print t-shirts. Ellen what kind of ink did you use for the t-shirts?Saludos, Guadalupe
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Message 5
From: Viza Arlington
Date: Thu, 15 Sep 2011 17:54:40 GMT
Subject: [Baren 44164] Re: Touch Ups
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I am a toucher upper for sure, if i can fix a little spot I will
because paper isn't cheap! As far as adding brush work I call those
prints "hand colored". if i use the same colors i still consider it an
edition if i vary the color i will add VE to the edition numbers. i'm
not sure when they become monoprints but i am sure everyone has their
own ideas about that. I am personally getting tired of the whole
editioning practice and am trying to get away from it somewhat maybe
someday i will stop all together.
viza
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Message 6
From: Gayle Wohlken
Date: Thu, 15 Sep 2011 18:05:43 GMT
Subject: [Baren 44165] Exchange #50
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Nancy Osadchuk, my emails to you re the Tiny Print Exchange seem to be bouncing. Could you please contact me at:
coordinator50@barenforum.org

Thanks,
~Gayle Wohlken
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Message 7
From: Diane Cutter
Date: Thu, 15 Sep 2011 19:00:09 GMT
Subject: [Baren 44166] Re: Touch Ups
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I could have written Viza's response. I feel the same way. Paper is expensive, so is my time, and, if a touch-up can save a print, I'm all for it. I did a blog entry

on exactly that (May 5, 2006). I can't get the link to work but if you click on the picture you can see that it was a horrible pull. I find blotting the print with old newspaper and the baren takes away any shininess.

Diane

www.DianeCutter.com
www.theitinerantartist.blogspot.com
www.DCutter.etsy.com
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Message 8
From: "Ellen Shipley"
Date: Thu, 15 Sep 2011 19:52:19 GMT
Subject: [Baren 44167] Re: Target and printing t-shirts
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At the time I was using oil-based ink. My son has been wearing some of my t-shirts for 6 or more years without any fading.

Ellen
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Message 9
From: Georgina Leahy
Date: Thu, 15 Sep 2011 23:39:27 GMT
Subject: [Baren 44168] Re: Touch Ups
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I will touch up using the ink already on the print, ie I get a bit of blue tack or a soft rubber and touch the print with it and touch the spot that needs covering, I find a little touch up is almost undetectable. I should add that I do this with oil based ink prints.

Georgina
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Message 10
From: "Ellen Shipley"
Date: Fri, 16 Sep 2011 00:47:36 GMT
Subject: [Baren 44169] Lithographie maison - Kitchen Lithographie
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This is an amazing video.

http://www.youtube.com/watch?v=G2w0IFm7JOY&feature=share
Lithographie maison - Kitchen Lithographie

I want to try it. 8-]

Ellen
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Message 11
From: Barbara Mason
Date: Fri, 16 Sep 2011 01:10:11 GMT
Subject: [Baren 44170] Re: Touch Ups
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Carol.
This sort of depends on the artist...some are purists and would toss a print that did not match the edition, others might "fix" it a bit.
I think the rule of thumb is that it should not be obvious...if you can see it, maybe it is a reject.
My best
Barbara
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Message 12
From: Darrell Madis
Date: Fri, 16 Sep 2011 02:12:49 GMT
Subject: [Baren 44171] Re: Lithographie maison - Kitchen Lithographie
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Very interesting.  Their website is http://www.art-emilion.fr/index.php?id_article=121

and a pdf. handbook of the process (In English) is here:

 http://www.art-emilion.fr/fichiers/handbookv_1_2.pdf


Madis Arts
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Message 13
From: ruthleaf
Date: Fri, 16 Sep 2011 06:29:02 GMT
Subject: [Baren 44172] Re: Lithographie maison - Kitchen Lithographie
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Does anyone know the exact ingredients? I got the cola but there was
another liquid i did not recognize . Was he drawing with plain
soap. It is facinating I would love to try it.. Ruth

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Message 14
From: David Bull
Date: Fri, 16 Sep 2011 06:34:14 GMT
Subject: [Baren 44173] Re: Lithographie maison - Kitchen Lithographie
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> Does anyone know the exact ingredients? I got the cola but there
> was another liquid i did not recognize . Was he drawing with plain
> soap.

The material is listed as 'savon de Marseille' ... which I believe is
a type of soap.

Would butter work, do you think?

Dave
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Message 15
From: key sevn
Date: Fri, 16 Sep 2011 07:39:03 GMT
Subject: [Baren 44174] Re: Lithographie maison - Kitchen Lithographie
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Clever stuff thanx for sharing.

>@ Would butter work, do you think?
of course it would because it's all about fatten an alluminium PLATE(sic).
great use of coca cola.

I couldn't stop laughing watching this vid.

I haven't tried it yet .

Digest Appendix

Postings made on [Baren] members' blogs
over the past 24 hours ...

Subject: Mystique Series #16 : Chinese Mystery Solution
Posted by: Dave Bull

Now that everybody has had time to think about possible solutions to the Chinese print mystery outlined in yesterday's post, let's see what we can discover ...

First, some response to a couple of the comments left yesterday:

the seal smudged from washing ...

The seal was almost certainly applied later - being pressed from the front - and wasn't printed. The pigment used for seals commonly contains oil-based components (to stop the stamp pad from drying out), and this kind of faint bleeding is very common on old work. I doubt that this one has been washed ...

one leaf of a 'step-by-step' painting manual ...

Such manuals did (and do) exist, but the Ten Bamboo Studio is not one of them. The images are all provided in 'complete' form, and are intended as models for students to copy and learn from.

light green underlayment ...

This is where my suspicions were first directed. A green tinge at the top edge of this sort of fruit could be quite realistic, and I originally thought this might be what we are seeing.

But there is a much more likely explanation.

(entry continues here ...)

This item is taken from the blog Woodblock RoundTable.
'Reply' to Baren about this item.


Subject: Screening for the Display Panels
Posted by: Ellen Shipley

Getting ready for our Garden Party Art Show on the 25th.

Today I played with some black nylon netting.  The pvc pipe/fencing display panels we made last year are a little too see-thru and I'm trying to make them less so.


Trouble is, it can't get opaque.  I'm trying for something like window screening.




[Long item has been trimmed at this point. The full blog entry can be viewed here]

This item is taken from the blog Pressing-Issues.
'Reply' to Baren about this item.